Song 280: Maybe you’ve been there and maybe not, but this week’s playlist cut is White Room by Cream, written by Jack Bruce and Pete Brown. When this single came rocking across the airwaves in the fall of my senior year at HS, I thought it sounded even better than all of Cream’s other records, as good as those were. I especially liked the way the slow sections build a musical tension that finds release in the fast parts, though until I read the Wikipedia entry today, I hadn’t noticed that those slow sections are in a 5/4 time signature, further setting them off from the faster 4/4 parts. I also really liked the way EC handles the solo, starting off in a more slow and deliberate way and then building from there. I have always felt — and I think most lead players would agree — that while speed and dexterity do have their place, the best-sounding lead part for a song doesn’t have to be the hardest or most impressive one possible, and, as often as not, simplicity can be the key to crafting a catchy and memorable lead. My favorite part of Clapton’s solo on this track comes with the first group of riffs, and while he certainly does a fine job with the rest of it, for me, it reaches the peak almost immediately, although, of course, he plays the rest of it so well that it never loses my attention. His use of the wah-wah pedal throughout the lead also adds a decorative quality to the notes. Sadly, not long after this record hit the charts came news that the trio had already broken up, though, as a consolation, the word also included the promise of one more LP to follow shortly, so we could still look forward to a final album. I heard many times during that era and over the following decades about tensions between the players pulling the band apart, but never got the details. At some point in the early to mid ‘90s, I saw a piece on TV about Ginger Baker, who was then living on a horse ranch in Colorado, and I thought he looked like he was doing well, especially considering the talk I had heard as a teenager about Baker’s severe drug issues which at the time had made it seem like he might not survive more than a year or 2 at best. Then in 2005 I got to see, and enjoy, a TV broadcast of the Cream reunion concerts, and also to learn that it was heat between Baker and bassist Jack Bruce that had torn the band apart in late ’68 and that continues to present a challenge to possible reunions. Fortunately, at least for a short time in 2005, the two were able to perform together before an audience, and to show that while they may not get along so well on a personal level, they can, along with Clapton, still make some very memorable music together on a stage. Music is truly the language of peace, isn’t it!
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